Globalization: New Challenges and Opportunities of Chinese Film and Television
From Miracle to Disillusion: Chinese Cinema in EuropeMoritz de Hadeln (German)
Speech by Prof. Dieter WeirichDieter Weirich (German)
Exploring Factors of Success for Chinese Films from the PRC,
Hong Kong and Taiwan in Germany: A Case Study about the
Traveling Images of Chinese StarsMartin Gieselmann (German)
Cultural Studies and Chinese Film in the Context of GlobalizationWang Ning
Towards a Reorientation of Visual Images: New Media
and Its Cultural ImplicationsSun Shaoyi (U.S.A.)
Chinas Entry to WTO and Its Impact on the Industries
of Chinese Film and TelevisionJin Guanjun
Imaginary Spheres and Schizophrenic Identity: The
Consequences of Media Globalization?Li Tianduo (Taiwan)
The Revitalization of Korean Cinema and Its Lessons for ChinaLu Di & Guo Miao
Globalization: Cultural Differences and Cultural CapitalsYan Chunjun〖ＣＳ〗
Surviving Globalization: Chinese Film and Its Independent QualityZhou Xing
Chinese Film and Television in the New Millennium: Cultural
Identity and Historical MissionZuo Fang
Conflict VS Harmony: Globalization and Asian Film & TV
Asian Cinema and Television: New Interpretations and Analyses
Hollywood, Globalization and Film Markets in Asia: Lessons
for China?Stanley Rosen (U.S.A.)
The Wakening of the Eastern Mirror and Image: Cultural Significance
of Asian “New Cinema”Huang Shixian
The Sensational Growth that Deserves Worldwide Attention: The
Development of Chinese TV DramasZhang Fengzhu
The Black Martial Artists: The Metaphorical Meanings of Zhang
Yimous HeroJia Leilei
The Historical Turn of Filmic and Television Culture: Interpreting
the Film and Television Based Visual CultureMeng Jian
The “Disney Complex” of Hayao Miyazakis Animation FilmsNie Xinru
An Exploration of the National Character and Its Aesthetic
Reification of Korean Film and TelevisionZhang Zhenhua & Qin Yulan
Marching Towards International Film Festivals and International
Cinema: Asian “New Cinema” and Its Two Strategies in the
Context of World CinemaHong Fan
Exploding/Exploiting TransRegional Space: Gender, Genre,
and Asia in the Films of Miike TakashiStephanie DeBoer (U.S.A.)
A Filmic Style that Speaks the Languages both East and West:
The LongTake Style and Diegesis of Hou Hsiaohsiens FilmsYuan Yuqin
Fierce Tiger Comes Out from the Mountain, Flood Dragon Jumps
into the Sea: Ang Lees Crouching Tiger and Hidden Dragon
and Its Cultural IdentificationLin Yong (New Zealand)
New Topics and Perspectives on the Chinese Film and Television Industries
The Year of 2002: An Overview of the Investment of the Chinese
Film IndustryHuang Shengmin & Zhao Zizhong
Digital Cinema: Opportunities of the Chinese Film Industry in the
Age of Digital and Media EconomyLiu Jun
The Current Status and Future Opportunities of the Digital Film
and Television of ChinaLi Yizhong
On the Ruins of Utopia: New Documentary Movement of ChinaLu Xinyu
The “DV Generation:” An Exploration of the NonProfessional
Movement of Chinese CinemaHu Zhifeng
The Beginning that Never Ends: The Current Status, Spiritual
Journey, and Cinematic Strategies of the PostFifth Generation
DirectorsChen Xuguang
Chinas Sixth Generation Filmmakers: Hopes and ExpectationsChen Peizhan
Aesthetics and Political Economy of Chinese Cinema: A Historical
Study of Chinese Films Capital, Market, and Product Structures
and Their RelationsChen Xihe & Zheng Jie
The WaitingToBeSaved Hong Kong Film Industry: Reflections
on the 2002 Summer Box Office of Hong Kong FilmZhang Yan
Establishing the New Order of TV Criticism in ChinaOuyang Hongsheng & Duan Hong
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